{"id":414,"date":"2021-03-24T17:33:48","date_gmt":"2021-03-24T14:33:48","guid":{"rendered":"http:\/\/susma24.com\/en\/?p=414"},"modified":"2021-03-31T13:44:53","modified_gmt":"2021-03-31T10:44:53","slug":"webinar-freedom-of-artistic-expression-what-happened-to-the-canary-in-the-coal-mine","status":"publish","type":"post","link":"https:\/\/susma24.com\/en\/index.php\/webinar-freedom-of-artistic-expression-what-happened-to-the-canary-in-the-coal-mine\/","title":{"rendered":"Webinar\/ Freedom of Artistic Expression: What happened to the canary in the coal mine?"},"content":{"rendered":"

Freedom of Artistic Expression: What happened to the canary in the coal mine?<\/strong><\/p>\n

Date:<\/strong> 12 April, Monday<\/p>\n

Time:<\/strong> 20:00-22:00 (CEST)<\/p>\n

Zoom Registration Link:<\/p>\n

https:\/\/us02web.zoom.us\/webinar\/register\/WN_WtRUA_nERoeA7aGtQE0U0g<\/a><\/p>\n

 <\/p>\n

A year has passed when we observed that artists and artistic production are under threat, and artistic and cultural freedom of expression has been violated increasingly, not only in Turkey, but also on a global scale. We have further experienced how art, artists and cultural professionals are among the first dispensable actors in case of various social crises, in particular the pandemic.<\/p>\n

Given that artists are the actors that imply disturbing facts, say the unsaid and make the invisible visible, it is not surprising that they are the first actors affected by the political developments, both in Turkey and globally.<\/p>\n

*In the past, a caged canary would be taken down into the coal mine before the miners. If the canary died, it would mean that the mine was dangerous. In other words, the canary was both the first dispensable one and the messenger of an upcoming calamity.<\/p>\n

Can we also consider censoring, banning and penalizing artists and their works as an indicator that the freedom of expression, and freedom in general, are under a great threat and a message for the upcoming\/ongoing calamity? What could be the reasons for and results of the rising violation of artistic freedom of expression in recent years, in Turkey and on a global scale? Are the existing laws and international mechanisms able to protect the artistic freedom of expression?<\/p>\n

In this panel we organized under the title of the Speak Up Platform, we will refresh our basic knowledge on the artistic freedom of expression \u2013 which rights and freedoms it covers, by which means and actors it is banned, what are the relevant national and international laws and mechanisms \u2013 and search for answers to our above-mentioned questions.<\/p>\n

\u00a0<\/strong><\/p>\n

Speakers:<\/strong><\/p>\n

Banu Karaca (moderator and speaker)<\/p>\n

Ole Reitov<\/p>\n

SaraWhyatt<\/p>\n

 <\/p>\n

Banu Karaca<\/strong> works at the intersection of political anthropology and critical theory, art and aesthetics, nationalism and cultural policy, museum and feminist memory studies. Her publications interrogate the freedom of expression in the arts, the visualization of gendered memories of war and political violence, visual literacy, and arts restitution. She is co-editor of\u00a0Women Mobilizing Memory\u00a0(Columbia University Press, 2019) and author of\u00a0The National; Frame: Art and State Violence in Turkey and Germany\u00a0(Fordham University Press, 2021).\u00a0She is the co-founder of\u00a0Siyah Bant, a research platform that documents censorship in the arts in Turkey. She has contributed the Universal Period Reviews of Turkey in 2014 and 2019. Currently a EUME Fellow of the VollkswagenStiftung at the Forum Transregionale Studien Berlin, Banu is continuing her research how looted and dispossessed art has shaped the legal and scholarly knowledge production on art in Turkey and the wider European context.<\/p>\n

Ole Reitov<\/strong> is a global human rights defender, speaker, moderator, journalist and independent consultant. In 1999, he co-founded Freemuse,\u00a0 and acted as Freemuse Executive Director 2013-2017. In this period, he was the Freemuse representative to the\u00a0UN Human Rights Council<\/a>\u00a0.\u00a0He is a member of the\u00a02005 UNESCO Convention Expert facility\u00a0<\/a>on artistic freedom. Coming from a background as a cultural journalist with particular focus on music and cultural policy, he worked globally in for three decades in almost 50 countries for the Danish National Broadcasting (DR). He produced the World Conference on Music Censorship “Music will not be silenced” in Istanbul 2006 and has closely followed several cases of censorship in Turkey.<\/p>\n

Sara Whyatt<\/strong> is a campaigner and researcher on freedom of artistic expression and human rights, notably as director of PEN International \u2018s freedom of expression program for over 20 years and previously at Amnesty International\u2019s Asia Research Department. At PEN she worked with its global membership mobilising its campaigns for writers at risk as well as on other issues affecting freedom of expression including anti-terror legislation, criminal defamation laws, actions by non-state entities, among others. \u00a0In 2013 she took up freelance consultancy, working on projects among them for UNESCO, Freemuse, Culture Action Europe, PEN International, and the International Freedom of Expression Exchange.\u00a0 In 2019 she was selected onto UNESCO\u2019s Expert Facility advising on its 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions. Also in 2019 she joined Columbia University\u2019s Global Freedom of Expression project expert panel.<\/p>\n

 <\/p>\n

The panel will be held in English. Simultaneous translation will be provided for Turkish speakers.<\/p>\n

Registration for the panel discussion is required through this Zoom link:<\/strong><\/p>\n

https:\/\/us02web.zoom.us\/webinar\/register\/WN_WtRUA_nERoeA7aGtQE0U0g<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In this panel we will refresh our basic knowledge on the artistic freedom of expression \u2013 which rights and freedoms it covers, by which means and actors it is banned, what are the relevant national and international laws and mechanisms \u2013 and search for answers to the following questions:<\/p>\n","protected":false},"author":2,"featured_media":417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2756],"tags":[],"class_list":["post-414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"_links":{"self":[{"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/posts\/414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/comments?post=414"}],"version-history":[{"count":12,"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/posts\/414\/revisions"}],"predecessor-version":[{"id":428,"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/posts\/414\/revisions\/428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/media\/417"}],"wp:attachment":[{"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/media?parent=414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/categories?post=414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/susma24.com\/en\/index.php\/wp-json\/wp\/v2\/tags?post=414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}